記録KYURURURU
EDITORIAL METHOD

How Kyururu works with a sports story

We treat sports photography as material for a book rather than a gallery endpoint. Editorial work therefore starts before the shoot and finishes only when the print master, captions and archive still make sense together.

Photographs on Kyururu are working examples for composition, sequence and page rhythm. When a result, name or client is not verifiable, we do not invent one to make a piece sound more authoritative.

What counts as a finished story

First define the object: event, team or season, who will read it, and what should still be understandable years later. Then inspect the coverage. Does it contain place, people, action, reaction, detail and an ending? The edit is built around those roles rather than around the number of technically sharp files.

How the review works

Layout starts after sequence. Repetition, image scale, names, captions and places are checked separately. A physical proof is practical rather than ceremonial: it reveals faces lost in the gutter, captions that became too small and dark photographs that no longer carry enough detail.

What survives after print

After print, the project should not dissolve into unrelated folders. The approved PDF, captions, editorial selects and master photographs stay connected. That is what makes a photobook reproducible and the archive useful rather than merely large.